The core concept of Palm to Soul is to cradle the collective act of expression within the hands of a monument. From afar, the twin open palms form a beacon of welcome; up close, they define a sanctuary of release balanced between monumentality and humility. The space encourages radical inclusion and personal transformation within a collective gesture of care. Participants of all identities, expressions, and backgrounds are invited to complete the artwork through their presence and offerings. Palm to Soul is a quiet act of resistance: against marginalisation, erasure, and silence. It is a liberated space shaped by queer hands and allied voices that holds room for grief, joy, rage, tenderness, transition, solidarity and celebration. It welcomes the transgender body, the femme voice, the mother in mourning, the queer elder, the activist, and the survivor. It honours protest and prayer in equal measure. Narrative: The journey into the piece begins at an outer ring of small ceramic hands (That held quite space in 2025). Each ceramic palm carries an intention or message. Visitors enter by walking this ring, symbolically leaving behind burdens or offering intentions at each small hand. Moving inward, the large wooden palms receive these offerings and “hold” them in trust through the week. Throughout AfrikaBurn, people add poems, notes, drawings, fabrics, and other mementos to the structure, building a shared archive of hopes, celebration, and prayers. At the end of the week (Saturday at Sunset), the hands fold inward and ignite, releasing all collected stories and intentions into the sky as ash. By the next morning, the desert floor is restored to emptiness, completing a narrative cycle of expression, catharsis, and renewal.

The Sentinel is a large-scale sculptural installation that embodies the journey of confronting fear and discovering the innocence that lies beneath it. At first sight, the piece presents itself as a towering, fearsome creature. A four-metre-tall humanoid tree, part rooted, part rising, as if it has just pulled itself from the desert floor. Its wooden limbs twist outward, its face leans downward, looming over those who approach. From below, visitors find themselves in a stare-down with the creature: a moment of primal confrontation, fear meeting fear. Participants are also invited to write a message on a paper tag and tie it to the artwork – words, phrases, or drawings that represent what holds them back. These offerings become part of the sculpture itself, fluttering like leaves in the wind.